Exhibitions

MAM Screen 023: Josh Kline

2026.4.29 [Wed] - 9.23 [Wed]

The 23rd edition of the MAM Screen presents the Japan premiere of two video works by artist Josh Kline - Capture and Sequestration: Gasoline (2023) and Capture and Sequestration: Cigarettes (2023) - from his larger project about the climate crisis.

Together, the works examine everyday acts of combustion, such as burning gasoline and smoking a cigarette, as points of access to the historical systems of extraction, empire, and industrialization that underpin the climate crisis.

The title refers to carbon capture and sequestration, an experimental strategy proposed as a technological solution to the climate crisis: extracting carbon from the atmosphere and burying it underground. Kline asks what it might mean to apply this logic to other toxic atmospheres - social, political, historical - that cannot be so easily contained.

Kline’s full suite of Capture and Sequestration videos centers on foundational commodities such as oil, tobacco, sugar, and cotton, whose production and circulation powered the rise of the United States as a military, economic, and cultural empire.

Through these materials, the lineage of human-made climate change can be traced back through industrialization to the violent foundations of that power: the enslavement of Africans and the theft of Indigenous land. In these two works, oil and tobacco become condensed symbols of that longer history, replayed through small, controlled gestures of burning.


Works Screened

1. Capture and Sequestration: Gasoline, 2023

2. Capture and Sequestration: Cigarettes, 2023

Notice about MAM Screen 023

Screening Hours
18:00-22:00.

* Screenings last approximately 28 minutes in total.

Change of Screening Hours
Please note that MAM Screen 023 may be unavailable every Tuesday.

* Please note that unavailable dates and times may be added.


Josh Kline Capture and Sequestration: Gasoline
Josh Kline
Capture and Sequestration: Gasoline
2023
High-definition video (color, sound)
14 min. 25 sec.
Courtesy: Lisson Gallery; 47 Canal.
Josh Kline Capture and Sequestration: Gasoline
Josh Kline
Capture and Sequestration: Gasoline
2023
High-definition video (color, sound)
14 min. 25 sec.
Courtesy: Lisson Gallery; 47 Canal.
Josh Kline Capture and Sequestration: Cigarettes
Josh Kline
Capture and Sequestration: Cigarettes
2023
High-definition video (color, sound)
13 min. 31 sec.
Courtesy: Lisson Gallery; 47 Canal.
Josh Kline Capture and Sequestration: Cigarettes
Josh Kline
Capture and Sequestration: Cigarettes
2023
High-definition video (color, sound)
13 min. 31 sec.
Courtesy: Lisson Gallery; 47 Canal.
General Information
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MAM Screen 023: Josh Kline


Notice Regarding Photography and Filming in the Galleries

At the exhibition MAM Screen 023: Josh Kline you may take photographs/film of artworks under the following conditions.

When taking photographs/filming

  • Do NOT touch the artworks.
  • Be careful NOT interfere with other visitors’ enjoyment of the museum.
  • Do NOT use flash lighting.
  • Do NOT use tripods and selfie sticks.
  • Filming, where allowed, must be limited to one minute maximum.

When using photographs/videos taken of the exhibition:

  • Photographs/videos may be used for non-commercial purposes only. Photographs/videos may NOT be used for commercial purposes.
  • Photographs/videos may NOT be altered in any ways.
  • The conditions above are licensed under the Creative Commons License. When uploading photographs/videos for blogs or any other photo-sharing services, please make sure to display the photograph along with such credits as below.

Example:

Artist’s name and work title: Josh KlineCapture and Sequestration: Gasoline
This photograph/video is licensed under “Creative Commons Attribution-Noncommercial-NoDerivative Works 4.0 International.”

* For details about the Creative Commons License and marks, please see the Creative Commons Japan website:
http://creativecommons.jp
* Beware that they may infringe on that person’s right of portrait if photographs/videos that include other museum visitors are made public.


About “MAM Screen”

Since first appearing in the 1960s, video art has progressed in leaps and bounds alongside innovations in video technology. Amid the proliferation of multimedia video installations in recent years, the “MAM Screen” program showcases outstanding single-channel video works from around the world.

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