Message From the Artist
In my early twenties, after my father’s passing, as I confronted the fragility of life, a question began to emerge within me: does human existence truly come to an end?
I first sought answers in Buddhism, then turned to books on astrophysics, traveled to ancient cities and sacred sites around the world (Giza, Lalibela, Angkor Wat, Teotihuacan, and Machu Picchu, among others), and eventually directed my thoughts toward Neolithic sites both in Japan and abroad including Orkney, Newgrange, Idojiri, and Oyu. Within this process of inquiry, I collaborated with scientists and engineers, developing new technologies while exploring new forms of expression that could allow people to experience a sense of connection with the universe.
Through my practice, I began to consider that if something like a soul exists, it may be light - part of a larger existence. Although life and death appear to be separated on a material level, they may not be fundamentally divided at a deeper level. That sensation lives quietly within my works as an inner light nameless, yet breathing.
Mariko Mori
5th Istanbul Biennale
4th Lyon Biennale
Solo exhibition, Dream Temple, Fondazione Prada, Milan; traveled to Rooseum Center for Contemporary Art, Malmö, Sweden
12th Biennale of Sydney
3rd Shanghai Biennale
1st Setouchi Triennale, Kagawa
* The Rio de Janeiro exhibition became the most visited contemporary art exhibition in the world that year (The Art Newspaper, April 2012)
Permanently installed Primal Rhythm: Sun Pillar at Shichihikari Bay, Miyako Island, Okinawa [Faou Foundation]
Public Collections:
The Solomon R. Guggenheim Museum, New York; The Museum of Modern Art, New York; Centre Pompidou, Paris; Fondation Louis Vuitton, Paris; Fondazione Prada, Milan; Los Angeles County Museum of Art; Benesse Art Site Naoshima; Guggenheim Abu Dhabi; Tate Modern, London; San Francisco Museum of Modern Art; PinchukArtCentre, Kyiv; Museum of Contemporary Art, Los Angeles, and others.

