List of Works
Download the work list. (PDF/788KB)
Featured Artists / Artist Groups
* In alphabetical order of the artists’ surnames
* This list of featured artists is subject to change.
- A.A.Murakami
Formed 2011 in London; based in London and Tokyo - Kelly Akashi
Born 1983 in Los Angeles; based in Los Angeles - Amefurashi
Formed 2015 in Yamagata; based in Yamagata - Araki Yu
Born 1985 in Yamagata; based in Kyoto - Gardar Eide Einarsson
Born 1976 in Oslo; based in Tokyo - Higaleo
Born 1995 in Okinawa; based in Okinawa - Hiro Naotaka
Born 1972 in Osaka; based in Los Angeles - Hosoi Miyu
Born 1993 in Aichi; based in Tokyo - Kihara Tomo
Born 1994 in Kyoto; based in Tokyo - Kim Insook
Born 1978 in Osaka; based in Tokyo and Seoul - Kitazawa Jun
Born 1988 in Tokyo; based in Yogyakarta, Indonesia - Kuwata Takuro
Born 1981 in Hiroshima; based in Gifu - Miyata Asuka
Born 1985 in Aichi; based in Mie - Multiple Spirits
Formed 2018 in Vienna; based in Vienna and Tokyo - Oki Junko
Born 1963 in Saitama; based in Kanagawa - Shoji Asami
Born 1988 in Fukushima; based in Tokyo - Shooshie Sulaiman
Born 1973 in Muar, Malaysia; based in Muar and Hiroshima - Wada Reijiro
Born 1977 in Hiroshima; based in Berlin - Maya Watanabe
Born 1983 in Lima; based in Amsterdam - Carrie Yamaoka
Born 1957 in New York; based in New York - ZUGAKOUSAKU & KURIEITO
Formed 2009 in Hyogo; based in Hyogo
A.A.Murakami
The Moon Underwater
2025
Steel, aluminium, custom robotics, custom filtration system, bubbles, water, and AI-guided robotic system
407 x 807 x 485 cm
Production Support: Anthropic
Installation view: Roppongi Crossing 2025: What Passes Is Time. We Are Eternal., Mori Art Museum, Tokyo, 2025-2026
Photo: Takehisa Naoki
Kelly Akashi
Astral Echo
2025
Flame-worked borosilicate glass, wood, uv-reactive flame-worked glass, and weathering steel
66 x 43.2 x 43.2 cm
Production Support: Lisson Gallery
Courtesy: Lisson Gallery
Installation view: Roppongi Crossing 2025: What Passes Is Time. We Are Eternal., Mori Art Museum, Tokyo, 2025-2026
Photo: Takehisa Naoki
Amefurashi
Cutting out
2022/2025
Wood, plywood, acrylic, Japanese mineral pigment, and other pigment
307.5 x 623 x 788 cm
Installation view: Roppongi Crossing 2025: What Passes Is Time. We Are Eternal., Mori Art Museum, Tokyo, 2025-2026
Photo: Takehisa Naoki
Araki Yu
THE LISTENER
2025
2-channel video installation, stereo sound, and directional speaker
8 min. 21 sec.
Installation view: Roppongi Crossing 2025: What Passes Is Time. We Are Eternal., Mori Art Museum, Tokyo, 2025-2026
Photo: Takehisa Naoki
Gardar Eide Einarsson
Installation view: Roppongi Crossing 2025: What Passes Is Time. We Are Eternal., Mori Art Museum, Tokyo, 2025-2026
Photo: Takehisa Naoki
Higaleo
Collecting Ryukyu Doll in NAICHI
2025
Mixed media installation
Uchinaaguchi Notation Cooperation: Higa Yasukazu, Yuuji Koutarou
Installation view: Roppongi Crossing 2025: What Passes Is Time. We Are Eternal., Mori Art Museum, Tokyo, 2025-2026
Photo: Takehisa Naoki
Hiro Naotaka
Installation view: Roppongi Crossing 2025: What Passes Is Time. We Are Eternal., Mori Art Museum, Tokyo, 2025-2026
Courtesy: MISAKO & ROSEN, Tokyo
Photo: Takehisa Naoki
Hosoi Miyu
Nénette
2025
2-channel speaker, media player, and stainless plate
15 min. 27 sec.
191.5 x 80 x 57.3 cm
Production Support: Seki Manami, Guillaume Piccarreta, Honji Yoshikazu (Yamaha Corporation), Sano Tsunenori (Yamaha Corporation), Shirai Mizuyuki (Yamaha Corporation), Gallery 38
Courtesy: Gallery 38, Tokyo
Installation view: Roppongi Crossing 2025: What Passes Is Time. We Are Eternal., Mori Art Museum, Tokyo, 2025-2026
Photo: Takehisa Naoki
Kihara Tomo
What Plays You? — Game of Possible Lives (detail)
2025
Game cabinet, game software, and local large language model
Dimensions variable
Installation view: Roppongi Crossing 2025: What Passes Is Time. We Are Eternal., Mori Art Museum, Tokyo, 2025-2026
Photo: Takehisa Naoki
Kim Insook
Eye to Eye, Side:E, Mori Art Museum Ver.
2025
4-channel video installation (4K / Full HD), sound
13 min. 23 sec.
Installation view: Roppongi Crossing 2025: What Passes Is Time. We Are Eternal., Mori Art Museum, Tokyo, 2025-2026
Photo: Takehisa Naoki
Kitazawa Jun
Fragile Gift Factory
2025
Project
Installation view: Roppongi Crossing 2025: What Passes Is Time. We Are Eternal., Mori Art Museum, Tokyo, 2025-2026
Photo: Takehisa Naoki
Kuwata Takuro
Installation view: Roppongi Crossing 2025: What Passes Is Time. We Are Eternal., Mori Art Museum, Tokyo, 2025-2026
Photo: Takehisa Naoki
Miyata Asuka
Installation view: Roppongi Crossing 2025: What Passes Is Time. We Are Eternal., Mori Art Museum, Tokyo, 2025-2026
Photo: Takehisa Naoki
Multiple Spirits
The Dungeon for the Shade of the Living Light
2025
Mixed media installation
Dimensions variable
Installation view: Roppongi Crossing 2025: What Passes Is Time. We Are Eternal., Mori Art Museum, Tokyo, 2025-2026
Photo: Takehisa Naoki
Oki Junko
Installation view: Roppongi Crossing 2025: What Passes Is Time. We Are Eternal., Mori Art Museum, Tokyo, 2025-2026
Courtesy: KOSAKU KANECHIKA, Tokyo
Photo: Takehisa Naoki
Shoji Asami
Installation view: Roppongi Crossing 2025: What Passes Is Time. We Are Eternal., Mori Art Museum, Tokyo, 2025-2026
Photo: Takehisa Naoki
Shooshie Sulaiman
Installation view: Roppongi Crossing 2025: What Passes Is Time. We Are Eternal., Mori Art Museum, Tokyo, 2025-2026
Photo: Takehisa Naoki
Wada Reijiro
MITTAG
2025
Glass, brass, bronze, and brandy
238 x 212 x 79 cm
Production support: SCAI THE BATHHOUSE, Tokyo
Courtesy: SCAI THE BATHHOUSE, Tokyo
Installation view: Roppongi Crossing 2025: What Passes Is Time. We Are Eternal., Mori Art Museum, Tokyo, 2025-2026
Photo: Takehisa Naoki
Maya Watanabe
Jarkov
2025
Video
25 min.
Commissioned and Produced by: Fondazione In Between Art Film
Grants from: Mondriaan Fund
Installation view: Roppongi Crossing 2025: What Passes Is Time. We Are Eternal., Mori Art Museum, Tokyo, 2025-2026
Photo: Takehisa Naoki
Carrie Yamaoka
Archipelagoes (2019) (detail)
2019
Archival pigment prints (set of 23)
Installation view: Roppongi Crossing 2025: What Passes Is Time. We Are Eternal., Mori Art Museum, Tokyo, 2025-2026
Photo: Takehisa Naoki
ZUGAKOUSAKU & KURIEITO
Subway Exit 2
2025
Water-based paint on cardboard
Dimensions variable
Production Support: Shinkaichi Community Center for Arts and Interaction, Kobe
Installation view: Roppongi Crossing 2025: What Passes Is Time. We Are Eternal., Mori Art Museum, Tokyo, 2025-2026
Photo: Takehisa Naoki
On the Theme of “Time”
This edition of Roppongi Crossing will examine today’s “Japan” through contemporary art, focusing on the intersections of different flows of times that become visible through multifaceted interpretations on the concept of “time.”
Can we escape from the overwhelming speed and temporal oppression imposed by modern society? In a society that privileges technological innovation and efficiency, instant gratification and short-term results are prioritized, and people are expected to live faster. Meanwhile, art teaches us that “time” shifts and changes according to the depth of our experiences and sensations, and that it exists in truly diverse forms - personal time, time with others, the time of flora and fauna, geological time, and time embedded in geopolitical and social contexts.
The theme of “time” may appear abstract and detached from the manifold issues haunting modern society. It is also true, however, that it has become far more difficult to foster and develop a common awareness amidst a world increasingly fragmented by war, racial discrimination, economic disparity, and human rights issues. Even under such circumstances, art can serve as a catalyst for generating a sense of empathy and dialogue with others.
This year’s Roppongi Crossing introduces works of art by artists active in Japan regardless of nationality, as well as those based overseas with Japanese roots. This is an attempt to approach and reconsider “Japan” from a broader point of view, reassessing its framework from its regional, cultural, and geopolitical perspectives. Furthermore, through the universal theme of “time,” the exhibition seeks to discover commonalities at a deeper level that exist beyond cultural differences.
The subtitle What Passes Is Time. We Are Eternal. is quoted from a verse in a poem by Sapardi Djoko Damono, one of Indonesia’s renowned contemporary poets. This poem speaks of the preciousness of “time,” a universal concept, but also the danger of losing sight of the essence of living, trapped within that time. In life, which is a continuous series of fleeting moments, eternity resides in this very instant. This encompasses not merely the continuation of human life, but rather the persistence of memory, the meaning of existence, and the nature of human relationships. This poem resonates deeply with the power of art which encourages us to feel and contemplate the essence of things. Through this exhibition, we will reconsider what “Japan” is, and turn to the various ways of life inherent to this moment as well as its permanence. In doing so, it will also become a place for us to explore possibilities for surviving in today’s increasingly complex society.
Leonhard Bartolomeus (Curator, Yamaguchi Center for Arts and Media [YCAM])
Kim Haeju (Senior Curator, Singapore Art Museum)
Tokuyama Hirokazu (Senior Curator, Mori Art Museum)
Yahagi Manabu (Associate Curator, Mori Art Museum)
* In alphabetical order of the surnames

